Continuity editing is a system of cutting clips, used to
maintain continuous and clear narrative action by following a set of rules.
Establishing shot:
This is a long shot or an extreme long shot, usually with
loose framing that shows the spatial relations between the important figures,
objectives and setting in a scene.
Shot reverse shot:
This is two shots that have been edited together that
alternate characters, typically in a conversation situation. Usually characters
in one frame look left and then they will look right in the next shot.
180 rule:
This is the angle between any two consecutive shots should
not exceed 180 degrees in order to maintain spatial relationships between
people and objects in any given sequence of shots. It is important not to cross
the line of vision between the two characters, if you do the viewer may not be
able to make sense of the scene. This same rule applies to a moving subject:
keep to one side of the direction of motion.
30 degree rule:
This is the angle between any two consecutive shots should
not be less than 30 degrees, in order maintain spatial relationships between
people and objects in any given sequence of shots.
Cross cutting:
This is editing that alternates between shots occurring simultaneously
in two or more different location.
Match on action:
This is a cut between two shots that places two different
farmings of the same action next to each other, making it seem to continue
uninterrupted.
Eyeline match:
This is a cut between two shots in which the first shot
shows a person looking off in one direction and the second shot shows either a
space containing what he or she sees or a person looking back in exactly the
opposite direction.
Re-establishing shot:
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